Snakes on a plane? He'll put 'em there

THOUSAND OAKS, Calif. — The sign outside reads "Trespassers will be poisoned."

Just outside the front door, more than 100 black grasshoppers, each the size of a small rat, are pinned onto a plastic foam sheet, drying in the sun.

Inside, hundreds of snakes, scorpions, lizards, leeches, tarantulas, beetles and cockroaches crawl about in clear plastic cages.

This is the office of Jules Sylvester, snake wrangler.

When a Hollywood production calls for slithery, slimy, creepy or crawly, Sylvester, 55, is the go-to guy. A professional animal trainer for 27 years, he's done more than 330 movies, plus countless commercials and photo shoots.

"Vermin wranglers is what we are," says the jovial herpetologist, owner of Reptile Rentals. "Everything nobody likes, we've got it."

Sylvester's animal actors take center stage in his latest project: "Snakes on a Plane," opening Aug. 18. The film, which stars Samuel L. Jackson, called for 450 slithery stars.

Sylvester rounded up his best performers — including a 22-foot Burmese python — and carted them to the set in Canada in plastic jars and picnic coolers.

It was one of the biggest projects yet for the snake wrangler, who started catching reptiles as a kid growing up in Kenya. As a teen, he got a job at the Nairobi snake park and fell in love with the work.

So what's his secret for training the crawly creatures?

"You can't make a snake do anything they don't want to do," he acknowledges. "They're not that smart and I'm not that clever. This is more like reptile management."

After 39 years catching and studying snakes, Sylvester knows how to coax camera-ready behavior from the animals by allowing them to do what they do naturally. They want to climb, he says, and they tend to move from warm to cool and light to dark.

"Snakes" director David Ellis says hiring Sylvester was a "no-brainer."

"He's probably the best at what he does," Ellis says.

Plus, it was crucial to include real snakes in the film.

"Computer-generated snakes are awesome but a live, real snake is a live, real snake," he says.

Though not all of the human actors were fans of their animal co-stars, it was great to have the set crawling with snakes, Ellis says.

"It actually helped with their performances because they were terrified," he says, noting that all the "radical snake action" and snake fatalities involved computer-generated reptiles.

No snakes were injured during the production, Sylvester says, but Jackson "flogged the snot" out of the rubber stand-ins.

Sylvester is a lifelong movie buff and animal lover who earns $500 to $1,000 a day for his work, which he calls "the kind of dream job no one tells you actually exists."

Even after nearly four decades handling dangerous snakes, Sylvester says he's never had a serious close call.

But if he were to be killed by a snake, he'd rather be squeezed to death than bitten.

"A constrictor is the way to go," he says. "You get grabbed and literally you're unconscious in 15 seconds max, which is a lot faster than any venom will kill you."